DEAR Pinterest,
1
,
7
0
4
Candidates applied for this role IN the past 2 days.
​
Many seemed worthy...

But here,
Portfolio’s vanish
from memory;

Prestige
loses it’s
luster;
Pedigree,
just a siren song.
To navigate
where none will go,
An internal compass
is required...

one that’s proven with 100 million viral impressions world-wide, gaining national recognition at every stage.
2018
Founder & Principle Designer of
Head of Marble, a DTC e-commerce brand.
2022
“A Mouthful of Air” lands on Starz Streaming
2019
Co-Producer & Director of Animation for
“A Mouthful of Air”, Starring Amanda Seyfried
2019
“We the Animals” lands on Netflix
2019
“We the Animals” Goes to Theaters Nationwide
2018
Director of Animation for “We The Animals”
2018
Launches Clothing at Colette, Parish Fashion Week
2016
Nylon Mag x Samsonovich
2015
Art-Instead-of-Ads Campaign Across NYC
2015
Featured on Tumblr Homepage
2015
“Water the Flowers” Artwork Goes Viral, 100m+ Impressions
2013
Fine Art Studio + Creative Consultancy
2014
Profitably Exited from First Dyanmic
2012
First Dynamic Goes on a National News Program;
Company Scales to 200 clients.
2008
Co-Founder First Dynamic Websites,
A Web Dev & Design Agency
2011
Graduates Rutgers University, B.A. Fine Arts
👋 I’m mark samsonovich

ABOUT ME:
I’m an interdisciplinary designer, artist, and entrepreneur. I have pursued many mediums throughout my lifetime, seeking mastery in each of them. I’m now looking towards new beginnings, where I can lend my craft to a world class environment as an early career product designer at Figma.
WHAT MAKES ME DIFFERENT?
There will certainly be candidates that have more case studies, and even better ones than mine. There will be Ivy Leaguers that impress on pedigree alone, and those that hail with experience from top 10 companies. I have none of those. But what I can offer is something considerably harder to manufacture: a proven ability to routinely create products that resonate. Whether building physical products, directing animation for feature films, designing furniture, or creating artwork that has been viewed by tens of millions of people through entirely organic reach, I have repeatedly found myself asking the same question: What makes someone stop, feel something, and engage?
​
Although those disciplines appear unrelated, they have all been exercises in understanding human behavior. They demanded empathy, systems thinking, storytelling, visual judgment, and the ability to transform abstract concepts into experiences that people genuinely value. Product design feels less like a departure from my career than the natural convergence of everything I have been doing for the past fifteen years. I would arrive not simply eager to learn Pinterest’s process, but with an unusually broad creative foundation from which to contribute.
WHY CHOOSE Pinterest?
The products I admire most do not simply solve problems; they quietly alter the way people see the world. Pinterest is one of those rare creations. It is less a social network than a vast atlas of human aspiration—a place where curiosity becomes intention and imagination begins to take tangible form. That is remarkably close to the purpose that has animated my own work across disciplines. If I am fortunate enough to join Pinterest, I hope not only to become a better product designer, but to help build a product that continues to inspire millions of people to make something beautiful of their own lives.






